THE DEVIL (XV)

This was a devilishly (sorry, but the pun is apt :-D) difficult card to design. Both the drawing and tanka went through not only many minor revisions, but each had a couple major total do-overs, in which I took an entirely different tack. Maybe XV is too "close to home." It's astrology sign is usually Capricorn, which is mine, too. :-)

As with all but two of the previous designs, The Devil card was dream-influenced. I'd just finished a lengthy dream journaling session which had ultimately explored issues of psychological projection. How many of the demons and even sometimes angels we see in others, are our own inner qualities projected on them, masking who they really are and also masking ourselves in that process. I then thought "The Devil card!" Here's the design that thought finally brought me to:



And here's The Devil in the Rider/Waite/Smith deck for comparison:



The Devil's hebrew letter is often "ayin," which means "eye" in noun form. That has always puzzled me a little. No matter the various esoteric explanations of it I'd read, they were not satisfying. But on associating XV to issues around psychological projection I finally find a more satisfactory take on ayin. We need to really, fully open our eyes, to ourselves and others, and not just accept the disowned aspects of ourselves we paste on to each other. No matter The Devil's hand gesture says "All you see is all there is," we need to see this is not true.

One of the positions The Devil can hold in our lives is as a tough spiritual teacher, a Guardian at The Gate, who will not let us go further in our development until we are ready. And, in this capacity, I see XV confronting us with our projections. Those demons and angels we attribute to others that are really our own. Those projections that chain us in fear and stunt our growth. In the RWS version above the chains around the necks of the two figures can be seen to be very loose. Just as with projections, the figures' own willingness to fully open their eyes and see, can free them.

As a simple letter in the hebraic alphabet ayin refers to mirth, and that I have always gotten from the first time I read it. I.e, a healthy sense of humor about the misperceptions and incongruities in life are necessary to our well-being and growth. We also especially need to be able to laugh at ourselves, a lot and heartily; not to take ourselves so seriously.

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

Please note: This deck is not necessarily being designed for use in divination, but rather to share taiga based on each of 78 Tarot cards.

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dreamku I write (haiku-like poems about dreams), I am not only attempting to bridge two things – Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Tarot Gallery & Journal and Roswila’s Dream & Poetry Realm.****

THE KNIGHT OF WANDS

Just short of 25 years ago, I was considering offering my first Tarot classes at the urging of others. I was hesitant to do so as I was not sure I knew enough about Tarot. One night on going to sleep I asked my dreams for help with this decision. In a dream that night I "heard" a voice that I instantly trusted clearly say "You will be taught by teaching." Well, there it was. I began to plan the series of classes the next day. And I learned a great deal (and not only about Tarot) in the preparation and in the actual teaching.

How does this all relate to the Knight of Wands? In the wee hours of this morning I was awake and began muzzily going over in my mind each of the Ace through King of Wands in The Voyager Tarot (like counting sheep, in a way :-D) that I had just finished a two week meditation on. For some reason I settled on the Sage, which could be corresponded to the Knight of Wands. I then realized how the Knight of Wands, especially in The Thoth Tarot, has always for me been a highly energized card, blessed (or fraught, as the case may be) with all sorts of personal associations, in addition to it's usual meanings. To make a long story shorter, I realized it should be my next Taiga Tarot design. It was when I thought this that I recalled the above 25 year old dream. I'd never associated that dream to the Knight of Wands before. But decided to go with it, grabbed my dream notepad and began working on the tanka and drawing. The Knight of Wands below was completely sketched and the tanka written before I finally went back to sleep.



And here's The Knight of Wands in the Rider/Waite/Smith deck for comparison:



This Knight is sometimes said to be very generous. And although I've not specifically associated him with teaching, Wands are about communicating so it fits. (I've probably said several times in these blogs of mine that a Tarot buddy and I had an expression about what we'd see in the cards: "If a meaning doesn't fit, we'll make it fit." LOL!) Wands, in my understanding, are also somewhat closer to Spirit (very generally speaking) than the other suits. So this teaching can be more on an intuitive and spiritual level than the more worldly.

By the way, I think my sleepy mind tossed that dream quote up as it is as applicable now in my life as it was back then. It is, in a way, very reassuring to be told I can learn what is needful along the way. That I don't have to "know it all" before doing anything, as I'm on the verge of going along some pretty big and new roads.

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

Please note: This deck is not necessarily being designed for use in divination, but rather to share taiga based on each of 78 Tarot cards.

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dreamku I write (haiku-like poems about dreams), I am not only attempting to bridge two things – Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Tarot Gallery & Journal and Roswila’s Dream & Poetry Realm.****

THE EMPRESS (III)

Just as all but one of my previous Taiga Tarot designs have been, this Empress is dream-inspired. I'd been thinking a lot over the past few days about several different cards I might design next, none of which were III. When I went to sleep last night, I asked that my dreams give me a clear indication of which one to work on next. The first dream image from last night that I recalled this morning was (very briefly put) of a pregnant woman who was gently tapping her belly in a loving way. I immediately thought of The Empress and then associated the individual taps of the dream woman's fingers to the eight visible stars in the crown of the Rider/Waite/Smith version of The Empress. Thus, my Taiga Tarot design for The Empress is:



Here's The Empress in the Rider/Waite/Smith deck for comparison:



As I sketched eight* stars on my version I recalled I used to wonder if there were more stars we could not see toward the back of Her crown. And that led to the line in the tanka about "seen and unseen." There is so much more available to us from Her bounty than we are ever aware of. There, in the unseen reaches of "creative imagination" (said to be a function of III in some traditional teachings). The Empress is basically a card of bounty, beauty, creativity and abundance, and She's often seen as the archetypal mother.

That last, mother, leads me to an old dreamku of mine:

The Empress cradles
Death in Her wide lap
crossroads

You may note that the card I designed just prior to this one is Death. I did not do this consciously, but I am sure there was some unconscious memory involved in that choice. I won't go on about it all, but my life is very much as it was when I had the Tarot dream that produced the above dreamku. That is, a great deal of life threatening illness and a few deaths around me (my mother among them). An early attempt at a regular dream poem before writing this dreamku addressed the idea of The Empress as a door, based on Her Hebraic letter being Daleth which means door in noun form. At the end of that failed regular poem I spoke to my dying mother, saying: both your doorway and mine swing back//mine opening on this present life//while yours opens//on the Summergarden. ("Summergarden" being where souls go after death in an ancient Celtic tradition.) Ever since, although I only vaguely address this in the pregnant belly shape on the Taiga Tarot design above, I've seen The Empress, above all, as a door. At times, a door not unlike Death's portal. The difference being in directions.

* On checking the RWS III version I see there are actually 12 stars. See what happens when one relies on a sleepy aging memory? LOL! But the line about "seen and unseen" still applies in the tanka. It's just that the road I took to the thought is slightly askew.

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

Please note: This deck is not necessarily being designed for use in divination, but rather to share taiga based on each of 78 Tarot cards.

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Tarot Gallery & Journal and Roswila’s Dream & Poetry Realm.****

DEATH (XIII)

This post is about the first Taiga Tarot design to urge itself upon me for quite some time, Death (XIII). This is also the first card design so far that was not directly influenced by a dream. However, I do not say my dream world has had nothing to do with it. I have had a few dreams recently that referenced death, but as I did not feel immediately prompted to work on XIII I cannot confidently claim they have influenced this design. I can mention a conscious influence: my Taiga Tarot design for The Hanged Man (XII).

Here's Death (XIII):




And here's Death in the Rider/Waite/Smith deck for comparison:



Very succinctly put, Death is often understood to represent transformation. And though I have only rarely seen it address actual bodily death in a reading, it can carry this meaning as well. However, more often I have seen Death refer to a metaphorical dying, as in a total change. It is this aspect of the card that drew me to design it today, tugging at my yearning for inner transformation.

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

Please note: This deck is not necessarily being designed for use in divination, but rather to share taiga based on each of 78 Tarot cards.

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Tarot Gallery & Journal and Roswila’s Dream & Poetry Realm.****

VACATION TIME EXTENSION....

The Fool, in The Tarot of the Cat People

I am now extending my time out from blog work to the second week in June. Everything, as usual LOL, is taking longer to get done and stuff to do just keeps almost literally crawling out of the woodwork! BTW, I always read comments and emails, and respond to same (on or off vacation). In the meantime, you can check out the baker's dozen of designs already posted here.

* * * *

‘til next time, keep dreaming,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing or poems, please email me for permission (under “View my complete profile”)****My other blogs ROSWILA’S TAROT GALLERY & JOURNAL and ROSWILA’S DREAM & POETRY REALM.

THE LOVERS (VI)

The design for The Lovers has been brewing for a long time and even today when I sat down determined to produce it, it was more difficult to do than any other design so far. It required constant choosing between ideas which is, of course, not inconsistent with a basic reading for this card: choice.

Although I'd have to cite a great many recent dreams to illustrate it, this taiga, too, has been heavily dream prompted. Not only by dreams about choices I need to make, but in the more commonly understood meaning of VI: matters of the heart. But the issue of choice has been uppermost and more frequent in my dreams. Some dreams even pointing out that I have a choice, i.e, I'm not stuck or trapped.

Here's the design:




For comparison, here's The Lovers in the Rider/Waite/Smith deck:



One of the ideas I had a hard time choosing (:-D) to include in my version of VI can be seen more clearly in the Rider/Waite/Smith rendition. I've read that in VI the male/conscious, looks to the female/sub- or unconscious for the connection to the Angel/spirit. (Put another way, it's in our sub- or unconscious that we are directly connected to spirit.) I really like that three-fold concept and have tried to represent it in my taiga by the two surrounding arrows and the one coming down from above. I don't think that one needs to know about this to relate to the taiga, but it's there for those who are familiar enough with the Tarot.

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

Please note: This deck is not necessarily being designed for use in divination, but rather to share taiga based on each of 78 Tarot cards.

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Tarot Gallery & Journal and Roswila’s Dream & Poetry Realm.****

THE HANGED MAN (XII)

The Hanged Man (XII) design has been incubating for several days, again prompted by my dream world. In early April, I had a dream in which a young woman was suspended on an upright mattress in a doorway. Later at the end of that dream I saw a series of drawings/paintings and what was emphasized most was that there were 12 of them. Of course, when I awoke I thought of The Hanged Man. I let XII simmer in "suspended animation" for a few days and woke in the wee hours of yesterday morning knowing it was time to produce it. I sketched out the design and tanka on my dream-notes pad right then.

The tanka for XII, by the way, is taken from the last lines of a lengthy old "failed" dream-based poem of mine, called "The Seal From Beneath The Sea." I'd been trying to revise it only a day or so before the dream I mention above. That sea image in the poem and title is also intriguing in light of The Hanged Man as the Hebrew letter associated with him is often "Mem," which means sea or waters in noun form.

Here's my Hanged Man design:



Here's XII in the Rider/Waite/Smith deck for comparison:



The Hanged Man is one of the cards that people not familiar with The Tarot tend to be somewhat unnerved by. And although what this card can suggest are not easy tasks (suspension of ego; staying in the moment; complete reversal of viewpoint; etc.), nor is what it tends to portend (hang ups, snafus, delays, etc.) much fun, it is not a card of death or punishment. Rather, at its deepest and highest it can be a card of enlightenment, of "Letting go and letting God/dess," of trusting in the Higher Self's connection to the All to be the bridge from now to now.

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

Please note: This deck is not necessarily being designed for use in divination, but rather to share taiga based on each of 78 Tarot cards.

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Tarot Gallery & Journal and Roswila’s Dream & Poetry Realm.****

THE TOWER (XVI)

The dream that precipitated this Tower card design was in the early hours of Good Friday (April 6th), which seems highly appropriate even though I am not Christian. I was singing the lyrics of an old Four Seasons song in my sleep: "Lighting's striking again....lightning's striking again...." Of course, on waking I immediately wondered if I should work on The Tower card. I decided to do so later and got on with my day, which proved to be an extremely "towerish," difficult one. Here's the design I've since come up with:




And here's The Tower in the Rider/Waite/Smith deck for comparison:




To be truthful to my years of experience with this card, it is all too often a real headache (sometimes literally portending one). However, not all "lightning bolts" are painful. Some are "Eureka!" moments of awakening or creative discovery. They can also briefly illumine what we otherwise cannot or refuse to see, clearing the way for something new or higher.

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Tarot Gallery & Journal and Roswila’s Dream & Poetry Realm.****

THE SEVEN OF SWORDS

Leave it to the unconscious! I put up a notice explaining the delay in posting designs here and wake up the very next morning recalling a clearly Seven of Swords dream.

The source dream for this Seven of Swords was about a group doing work on one woman's dream (LOL!). In it I am trying to explain how I look for dark images that are less familiar as they are more likely to be windows onto the unconscious, i.e. new territory. Others either don't get my point or are resistant and even a little hostile to it. I become aware I look much like Johnny Depp in the Disney "Pirates of the Caribbean" movies, recalling that the first was about "The Black Pearl." Then there are images of middle class black folk from the dreamer's own ancestry, who are involved with political campaigns in the south in the 1920'-30's. (There's a bit more to the dream than I share here. I've limited what I say above to what is relevant to the Seven of Swords inspiration.) On waking, I immediately thought "pirate" = "thief" = "Taking back one's personal power and history" = The Seven of Swords!

And here is what resulted not very long afterward:



For those not familiar with Tarot, the Two of Swords (implied in the two in the upper right) is sometimes called "Peace." And fives in the Tarot are notoriously unstable (i.e. they tend to be about lessons, movement, change).

Although I have not done this up to now, I'm sharing the Rider/Waite/Smith version of this card for comparison:



I will post the Rider/Waite/Smith version with any new design from now on, for those not familiar with Tarot. As well as say more about the card.

By the way, I now have a theory as to why I had this particular "fallow" time with regard to the designs. At least a week ago I woke with an idea for the Nine of Cups but did not pursue it as I had been expecting the Majors to keep coming. (I did make note of the idea, however.) I believe what this unresponsiveness on my part did was give my unconscious the message to stop offering ideas. I've found in my magic and ritual work that this part of our mind (at least of my mind) is rather literal and direct. So my "rejection" of that Nine of Cups idea may have been taken to mean "stop," especially if the ideas brewing are for Minors right now.

As always, I'd be delighted to hear what you think about any of this. You can leave a comment, or email me.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Tarot Gallery & Journal and Roswila’s Dream & Poetry Realm.****

UP-DATE ON DESIGN PROGRESS

The Three of Pentacles in The Rider/Waite/Smith Deck

Well, that early surge of designs has stopped. Not that I've stopped thinking and dreaming about ideas, it's just that the designs, and the impetus to make them and write the tanka isn't coming through right now. However, I do have The Lovers card all sketched and it's just awaiting the tanka so I can make the full design. Not to mention the sketches for The Hermit and The World cards that have been whispering to me for a while.

This sort of time when a creative project is "lying fallow" is always hard for me. I know it's a necessary part of the process, but some aspect of me worries I'll never pick up pen or pencil on the particular project again. Ah, well, I wait and ruminate and dream ... hoping those two on the right in the Tarot card above (some say they are The Fool and The Hierophant) start giving me instructions again soon so that I can continue manifesting The Taiga Tarot. :-)

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Tarot Gallery & Journal and Roswila’s Dream & Poetry Realm.****

THE WHEEL OF FORTUNE IN THE TAIGA TAROT

As with the previous eight Taiga Tarot designs, The Wheel of Fortune (X) was dream-influenced. I'd worked on only the basic drawing a couple of days ago (based on images that came when working previously on the dream-prompted Sun card). Then I woke up yesterday morning chanting the last two lines for The Wheel of Fortune tanka and figured X was next:




[Note of 3-29-07: I will definitely re-draw this wheel (it's not centered itself :-D), and will probably edit the tanka, sometime soon.]

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Dream & Poetry Realm for Tarot poetry and Roswila’s Taiga Tarot for taiga (illustrated tanka).****

REVISION OF THE CAULDRON (XXII) IN THE TAIGA TAROT

I strongly suggest that you click here to read the previous post on The Cauldron first, as it has more background on this 23rd Major I designed. The Cauldron is a card new to The Tarot entirely, not just this Taiga Tarot. The previous post also shares meanings I've seen for it in readings over the years and the previous version of the Taiga Tarot design.

Additional Background on The Cauldron (XXII): My use of the word "cauldron" is largely poetic, as opposed to alchemical in meaning as in XIV of The Thoth and The Arthurian Tarots. (E.g., I often feel when gazing at the night sky that I'm peering into the cauldron of creation.) I think of XXII as being a process, a creative ferment, that lies beyond light/dark, pleasure/pain, etc. So that where dualities arise is in manifestation, and in our attempts to look at/understand/effect that process. In a way, I see The Cauldron as outside the circle of the 22 Majors, outside of time and manifestation. Or rather, as my attempt to represent that which I intuit (imagine?) to be beyond and outside, preceding and following, yet existing within. (Prose fails me here, poetry comes closer, and this Taiga Tarot design a wee bit closer yet.)

A friend suggested that the initial design needed the rim of The Cauldron showing, as taiga are supposed to stand alone, without explanations. But as I explained (:-D) to him, the card has never existed before, so has to be explained. However, I have put the rim in the design, as I do want to make these taiaga as close as possible to "true" taiga as I can. Here's the revision:




BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Dream & Poetry Realm and Roswila's Tarot Gallery & Journal.****

THE CAULDRON (A New Major) IN THE TAIGA TAROT

The Cauldron (XXII) is not only a new Taiga Tarot* design, but a new twenty-third Major I conceptualized many years ago. The Cauldron design I post here was prompted by a dream, as all seven of the previous Taiga Tarot designs were. In the dream I was making a list of Tarot card names and became aware that only one was missing. As I woke and recalled the dream I immediately thought "The Cauldron! I've not been considering The Cauldron!"

The idea for XXII initially came to me after designing a one-day introductory Tarot workshop years ago. I subsequently was told by a Tarot buddy that it can happen when studying an esoteric subject for some time that one begins to feel something might be missing. For me there seemed to be not so much something missing, as a lot of room for another card between XXI and O, if one views the Majors in a clockwise circle, starting with O. I'd also been hearing a lot about quantum field theory at the time and struggling to understand it even a little bit. So, all of this combined -- along with who knows what else -- and The Cauldron precipitated after designing that Tarot workshop.

In my ideas for The Cauldron design I've always seen an actual cauldron. In The Taiga Tarot version below you are looking down into the cauldron and seeing the wavy web/net/field that I always envision filling it. There's more on XXII and the meanings I've found for it after the design:




Design: The Cauldron is that out of which everything arises, and that to which it all returns, to rise again in new forms. The wavy lines are meant to represent what underlies and connects, and is the source and goal of all creation.

In Readings: (BTW, I have added XXII to every working deck I have. I use a black marker to print the name and number on one of the end cards that always come with a deck.) The Cauldron says that the situation is very amenable right now to influence on the subtle planes -- via magic, ritual, affirmations, prayer, etc. It can also indicate that a situation can go either way, or that it's not clear yet whether it will even manifest or not. XXII can very gently whisper "patience, patience, patience," things will be clearer in time. Negatively aspected -- though I've found it rarely shows in a negative light -- it can be saying things are hanging by a thread, balanced on a razor's edge, ready to boil over, about to implode, etc. I'd say the over-riding sense I have of this card is that as unclear and uncertain as things may seem, we still can have input. But subtly and with an ear to what is being asked of us and what is trying to come through us. I.e., not just what we want, but how we fit into the much larger picture. It tends to be an encouraging card. The clay has not been shaped, the cloth not yet spun. If we quiet ourselves and act in subtle and responsive ways, a shy and delicate strand of manifestation may come to us.

* BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Dream & Poetry Realm and Roswila's Tarot Gallery & Journal.****

THE MAGICIAN IN THE TAIGA TAROT

In my dream the night before last Elvis Presley was performing. A young, healthy Elvis, magically transforming into himself at various stages of his career. He and his band were all dressed in black. At the end of the performance, he went around brushing various lines, streaks, and spots of white on everyone, including himself. Okay, I mumbled to myself as I recorded the dream, "I'll work on you next, Magician," and proceeded to get up much earlier than I'd planned. :-)

In case this is your first visit here, I should mention that all six previous Taiga Tarot designs were in some way influenced by my dreams. And now here's the dream-Elvis-precipitated Magician (for background on The Taiga Tarot, see the bottom of this post):




BTW, I'm looking into getting a website (in addition to this blog) so these Taiga Tarot designs can be viewed more readily. It may take some time, unless my dreams start reorganizing my priorities, as well as prompting Tarot card designs. LOL!

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Dream & Poetry Realm and Roswila's Tarot Gallery & Journal.****

THE EMPEROR IN THE TAIGA TAROT

As with the first five designs for The Taiga Tarot, the below design for The Emperor is a result of my dreams. Last night there was an adult authority/husband figure who made an observation that was central to the dream, and incredibly clarifying when I woke and worked with it. I had actually been considering The Empress or Judgment as my next card, based on images in the previous night's dreams. It was as I was mulling over III and XX that the above male figure I mentioned popped into my mind and I knew The Emperor was next. (As I thought more about the dream and The Emperor I remembered the male's statement in the dream referenced appropriate anger, which fits with Aries as the usual astrological correspondence for this card. Not to mention the far-reaching implications of the dream figure's rather protective statement.)

So, here's The Emperor, the next design in The Taiga Tarot (see the bottom of this post for more information on "taiga" and this deck):




It's becoming a bit of a challenge now that six designs have been influenced, directly or otherwise, by my dreams. I have to remind myself to remain as at ease as possible with my dreams, and not force Tarot meanings into the images. But rather wait on what reaches out toward me. Not unlike my earliest years working with my dreams once I recognized what treasures they could hold. Of course, I am quite curious to see how many of The Taiga Tarot designs will wind up being dream influenced. Whatever way they come through, however, I will be delighted to receive them.

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Dream & Poetry Realm and Roswila's Tarot Gallery & Journal.****

THE SUN IN THE TAIGA TAROT

Well, it's still not time for Death, The Hermit, or The World card, as I mentioned in a couple of previous posts as "candidates" for the next Taiga Tarot design. The Sun appeared in a dream of the night before last. I saw lots of little astrology glyphs for the sun -- a circle with a dot in the center -- floating, rotating, flipping, and dancing in the air before me. I took that as a big clue as to which card to work on next. :-D The dream also influenced the design and text as it progressed, but not fully consciously. I saw the effects mostly after the initial draft was done. Now, with no further ado, here's The Sun:




Given my recent track record, I won't make any predictions as to which card will be posted here next. Though I can venture a pretty good guess that it will be, in some way, dream prompted.

BACKGROUND ON THE TAIGA TAROT:

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Dream & Poetry Realm and Roswila's Tarot Gallery & Journal.****

THE HIGH PRIESTESS IN THE TAIGA TAROT

In my previous post I said I'd be posting either Death, The Hermit, or The World card designs next. But The High Priestess (II) made Her presence known, subtly as is Her wont. I was writing haiku yesterday based on dreams* and noted a camel in a very recent dream. I don't remember ever dreaming about a camel before and then I recalled that the Hebrew letter often corresponded to II is "Gimel," which in noun form means "camel." So here's The High Priestess design that camel dream precipitated:




I'm planning on working on either Death, The Hermit, or The World card next, but who knows what The Tarot will prompt. :-D

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Dream & Poetry Realm and Roswila's Tarot Gallery & Journal.****

THE STAR, WITH REVISED STRENGTH IN THE TAIGA TAROT

OK, I keep waiting for the designs to stop coming, or at least slow down. And they probably will do both along the way. However, I sure am enjoying this spurt of ideas.

Taiga, for anyone not familiar with the word, are illustrated tanka, and tanka are five line poems. See this post for more details on The Taiga Tarot.

In the previous post I shared the design for The Strength card. I have since very slightly revised it. The word "cracking" was originally "breaking," and I have moved the entire design up a bit on the card, adjusted word spacing just a little, and added a comma after "beating":



[NOTE OF 4/07/07: This Strength card may be further revised. I came across a sketch for it that I did years ago for a different Tarot deck project, that I think I like more.]

I also said in the previous post I'd share The Star design next. Here it is:



This design is based on the meaning of the Hebrew word Tzaddi which is "fish hook" (in noun form). Tzaddi is often attributed to The Star card.

In my next post I'll be sharing either Death or The Hermit, or maybe The World. All three have begun to present themselves. If you are so inclined, I always appreciate feedback, but especially with a project like this.

BRIEF BACKGROUND ON THE TAIGA TAROT (Click here for additional background on the Taiga Tarot.):

When I decided the name of the deck would be The Taiga Tarot, I liked not only the alliteration but the resemblance of the word “taiga” to “tiger.” One of my power animals is the Siberian Tiger (and by extension, all tigers), which first appeared as three tiger kittens in a dream. What I had completely forgotten at the time was that the area of Siberia in which the tiger ranges is called “The Taiga”!

A “taiga” (briefly put) is an illustrated tanka. A “tanka” is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three. I recognize that the tanka/taiga I’m developing for The Taiga Tarot are non-traditional. As with the dream haiku I write, I am not only attempting to bridge two things – with this deck, Tarot and taiga – but also bringing my own experimental slant to it all.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Dream & Poetry Realm and Roswila's Tarot Gallery & Journal.****

STRENGTH, WITH THE REVISED MOON CARD IN THE TAIGA TAROT

It's been delightful to get so many enthusiastic and helpful responses to the previous post introducing my new project, The Taiga Tarot, and sharing my Moon card design.

"Taiga" are, very simply put, illustrated tanka. Tanka are five line poems. I do not claim the tanka I've been writing are traditional. It would probably be more accurate to say they are experimental, incorporating elements of concrete poetry. (To the friend who noted the similarity to concrete poems, I said maybe we need a new form: conka. Forgive me. I cannot resist a bad pun.) Click here to read my introductory post that has more information on taiga and this deck-in-progress, and to see the initial version of The Moon card. I have since revised The Moon (XVIII), and here it is:




I believe the letters stand out better in this new version. I also like the overall crispness of it. It contrasts nicely to what we think of as the unclarity of moonlight vision (intuition, etc.).

Now, to introduce Strength (VIII):




For anyone not familiar with astrology, the figure on the card is the glyph for Leo. (Leo is often attributed to Strength, and is said to rule the heart.) As with The Moon card, I woke up in the middle of the night, grabbing for my dream note pad to get down the ideas I felt coming for the Strength card. I can't say I had been dreaming about this design, but it does seem some part of me was thinking about it as I slept.

The same night I began working on Strength, I also began to hear from The Star card. In my next post I'll be sharing The Star.

I'm really enjoying this dance of manifesting what's in my heart's eye, while responding to the restrictions and the surprise gifts of the physical tools (rusty drawing skills, pens, computer program, etc.) that I have at my disposal. I welcome feedback.

* * * *

‘til next time, keep enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Dream & Poetry Realm and Roswila's Tarot Gallery & Journal.****

THE MOON IN THE TAIGA TAROT

You may have noticed one of my other interests is in writing haiku. Given this, for some time I've been mulling over the possibility of designing a haiga Tarot; haiga are, very simply put, illustrated haiku. As this idea simmered on the back burner, I stumbled across some incredible taiga, i.e, illustrated tanka.* Wow! What a great idea for my Tarot. The additional two lines -- haiku are usually only three lines, and tanka five -- would give me more room to swim around in (or drown :-D). And the tanka form is traditionally more amenable to directly expressing emotions and conclusions than the haiku form. Yet a tanka would still be short enough to fit comfortably on a normal size Tarot card. Not to mention that the title "The Taiga Tarot" is alliterative. :-D

I have to admit that before I came across taiga I'd never tried writing tanka, so I am really reaching with this project. In my defense, I have been doing a lot of reading of and about tanka. As a result, the ideas for tanka and accompanying Tarot images have begun popping, waking me up in the middle of the night. I love this sort of creative ferment.

There have been and continue to be practical issues, of course. I had to figure out how to protect the cards once finalized. Not to mention how to produce them to begin with and on what sort of paper stock (my printer nozzle can't handle card stock). For protection and endurance, I've purchased a laminating machine. For production, at least so far, I'm using a combination of hand sketching, scanning, and Paint program manipulation to actually develop the cards for sharing here.

OK, enough stalling. Here's the first Taiga Tarot card that woke me up, demanding to be manifested:

[See revised version in following post]

I'm not at all surprised it was The Moon that called to me first. Of all the cards in The Tarot it's the one that has most consistently wheedled, cajoled, even demanded my careful attention over the years. The next call was from Strength (using the Leo astrology glyph), and after that The Star (referencing Tzaddi, the hebrew letter often corresponded to it). I'll post these two and others as they come in separate future posts. [P.S. added several hours after making this post: I've already received some interesting feedback on the above design. I'll post a revision of it in my next Taiga Tarot post.]

It is tempting to relate to these first three Taiga Tarot designs as a past/ present/ future reading. And so I will: I'd say The Moon references all the unclarity and struggles with darkness (both others' and mine) over the years, and also the acknowledgment and development of my intuitive skills; Strength, what I am currently doing, embracing and taming my "tiger;" and The Star, oh my, if that is to be my future -- how lovely!

* A tanka is a mood poem written in five lines, that usually references natural images and human emotions. Also, there is often a contrast or conclusion or response in the last two lines to the first three.

* * * *

‘til next time, keep responding to and enjoying The Tarot,

Roswila
[aka: Patricia Kelly]
****If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Dream & Poetry Realm and Roswila's Tarot Gallery & Journal.****

INTRODUCTION & BACKGROUND

This blog is dedicated solely to my Taiga* Tarot designs as they develop. I am not necessarily designing this deck for use in divination, but rather to ultimately share 78 taiga, drawn and written out of my over 30-year journey with The Tarot as a faithful and creative guide. I also do not post these as final versions, simply as final for the moment. Some may very well be subject to revision as I discover more about their inter-relationships, or am drawn to a different design or wording, or receive feedback.

Very simply put "taiga" are illustrated tanka. "Tanka" are mood poems traditionally written in five lines of 5-7-5-7-7 syllables, that usually reference natural images and human emotion. Also, there is often a contrast, conclusion, or response in the last two lines to the first three. My tarot tanka are largely non-traditional, but I do make an attempt to respect the basic form. At the end of each card post is some additional "Background Information" on the deck.

From the start the cards have been influenced in some way by my night dreams, and they all have a decidedly psychological bent. I most definitely expect the latter to continue as that is largely how I relate to The Tarot. I also make no attempt to encompass a broad range of Tarot meanings and approaches in these designs, but to simply highlight an aspect or two of each card that I have found central, pointed, or less common.

As to why a black and white deck? I adore color and find it's often an important aspect of readings, so had no idea that the deck would be in black and white. (Actually, the only thing I "knew" about the deck ahead of time was that it would be a taiga tarot.) But this is how it has come through. I am planning to make the backs of my own laminated copy very colorful, however. :-D

I have the odd feeling that this deck exists in its entirety somewhere else/when, and is coming to me, card by card. There is also an image that keeps occurring to me: this deck is like an embroidered panorama, being made from one long strand of many textured thread, within which each individual card is one stitch.

* * * *

'til next time, keep enjoying The Tarot,



**** [aka: Patricia Kelly] **** If you wish to copy or use any of my writing, please email me for permission (under “View my complete profile”)**** SEE ALSO: Roswila’s Tarot Gallery & Journal; Roswila’s Dream & Poetry Realm; and DREAMJIN: for Haiku-Like Dream Poems, a Yahoo group.****